The pandemic: like and unlike a bad dream
The pandemic: like and unlike a bad dream
BY BOB LIM
The word “disaster” to most of us in Cebu used to mean untoward events of limited duration that resulted in difficulties and inconvenience and little damage. A fire in the neighborhood, a low-intensity earthquake, some flooding, a low-level typhoon. A super-typhoon would come only between decades; a giant tremor would happen elsewhere, not in “Sto. Nino-protected” Cebu. It’s only in recent years that almost every weather disturbance would afflict Cebu in a big way. “Disaster” is now high up in the list of concerns of government, national and local.
For entertainment purposes, to get the adrenaline rushing and draw queues at the box office, disaster movies were produced. Alfred Hitchcock’s “The Birds” (1963) — about nature gone berserk, probably the precursor of disaster movies – with “Poseidon Adventure” (1972); “Towering Inferno” (1974) and Steven Spielberg’s masterly “The Jaws” (1975) were early examples of disaster movies that offered diversion from boredom and journey into fantasy land. But this was before the appearance of larger-than-life, life-threatening real-life disasters.
It would seem that after the two world wars (1st World War, 1914-1918: 2nd World War 1939-1948), the people of the world would already be exempted from terrors and trials that full-scale apocalyptic events bring. The dire predictions in the Bible and from Nostradamus would be confined to movies and books, not the staple of opinion columns.
Few ever thought of a virus sending people and nations in most of the world virtually on its knees. Of course, there’s nothing entertaining about real-life pandemic, as a disaster movie would have.
Before 2020, when Covid 19 reared its fearsome head and metamorphosed from a localized health scare into a worldwide pandemic, it had been quiet on the world front. But with the ugly explosion of the disease, from China and spreading around the world, in pace and intensity that seemed to imitate the movies, a terrified world populace dropped most everything that involved human contact and movement.
Memories of the pandemic are like those from a bad dream, only that the pain and suffering of victims was real, and paralysis of human activity actually happened. The fear was overwhelming.
In early March 2020, I remember, a working student texted me that her parents no longer allowed her to report to the studio because one infection was reported in Mandaue City. Since then, I realized that Covid-19 would have serious impact, and indeed it had, on every facet of people’s lives, from leaders in government and captains of business and industry, to lavorers and working students and even people confined in their homes.
Unlike a bad dream though, images of Covid-19 remain — in print or digitally, thanks to the hardy photographers — to remind us that the scourge was here and could still be here. And like a dream, though half-remembered, some lessons on surviving a horrible ordeal would stay with those images.
![](https://cebujournalism.ph/wp-content/uploads/2022/10/Bob-Lim-2-150x150.jpg)
Bob Lim
Bob Lim is chief creative officer of Bob Lim Photography and founder of Kino Boy Studio. He studied at U.P. Diliman(1976-1978) and graduated from Cebu Eastern College (Class of 1972). He contributed articles for SunStar and managed its various photography contests, which helped promote photography in Cebu and professional and student photographers develop their craft. The annual photo competition used to recognize the best in local photojournalism.